[ 3 / biz / cgl / ck / diy / fa / ic / jp / lit / sci / vr / vt ] [ index / top / reports ] [ become a patron ] [ status ]
2023-11: Warosu is now out of extended maintenance.

/lit/ - Literature

Search:


View post   

>> No.12622912 [View]
File: 479 KB, 419x750, 1500314351504.png [View same] [iqdb] [saucenao] [google]
12622912

>>12622907
2/4

>Even compressed, folded, and enveloped, elements are powers that enlarge and distend the world. It hardly suffices to speak of a succession of limits or of frames, for every frame marks a direction of space that coexists with the others, and each form is linked to unlimited space in all directions at once. It is a broad and floating world, at least on its base, a scene or an immense plateau. But this continuity of the arts, this collective unity in extension, goes out and beyond, toward an entirely different unity that is comprehensive and spiritual, punctual, is indeed conceptual: the world as a pyramid or a cone, that joins its broad material base, lost in vapors, to an apex, a luminous origin or a point of view.

>Leibniz's world is one that encounters no difficulty in reconciling full continuity in extension with the most comprehensive and tightly knit individuality. Bernini's Saint Theresa does not find her spiritual unity in the satyr's little arrow, that merely spreads fire, but in the upper origin of the golden rays above.

>> No.9768574 [View]
File: 479 KB, 419x750, 2:5.png [View same] [iqdb] [saucenao] [google]
9768574

>>9768566
2/5

>Even compressed, folded, and enveloped, elements are powers that enlarge and distend the world. It hardly suffices to speak of a succession of limits or of frames, for every frame marks a direction of space that coexists with the others, and each form is linked to unlimited space in all directions at once. It is a broad and floating world, at least on its base, a scene or an immense plateau. But this continuity of the arts, this collective unity in extension, goes out and beyond, toward an entirely different unity that is comprehensive and spiritual, punctual, is indeed conceptual: the world as a pyramid or a cone, that joins its broad material base, lost in vapors, to an apex, a luminous origin or a point of view.

>Leibniz's world is one that encounters no difficulty in reconciling full continuity in extension with the most comprehensive and tighlly knit individuality. Bernini's Saint Theresa does not find her spiritual unity in the satyr's little arrow, that merely spreads fire, but in the upper origin of the golden rays above.

Navigation
View posts[+24][+48][+96]