/lit/ - Literature

Beyond Good and Evil by Nietzsche
Patriotism by Mishima
Storm of Steel by Junger
Revolt Against the Modern World by Evola
Man and His Symbols by Jung
Industrial Society and Its Future by Kaczynski
The Decline of the West by Spengler
The Crisis of the Modern World by Guenon
The Third Reich by Moeller
Culture of Critique by MacDonald
The Myth of the 20th Century by Rosenberg
Imperium by Yockey
The Bow and Club by Evola
The Worker by Junger
Can Life Prevail? by Linkola
Sun and Steel by Mishima
Thus Spoke Zarathustra by Nietzsche
The Red Book by Jung

These are selected works and as they stand they are in order but to truly understand them you'll need additional reading and at least a broad background in the Western tradition.

>>11621848
>>11622083
Either way we're trapped in the theatre, so why not put on plays? The only thing worse than being trapped in a theatre watching plays while wondering whats outside for your entire life is being trapped in a theatre doing nothing while wondering whats outside for your entire life. And hey, maybe if you're up to it you don't just have to watch the plays, maybe you can take part in one yourself, maybe you can even create one yourself. Now, if you're familiar at all with Nietzsche, you'll realize that 1 is the path of the Last Men, while 2 is the path of the Overman. The Last Man is faced with the fact that the plays were all lies and he decides that we should never put another one on again. The Overman is faced with this fact and he realizes that even despite the fact that it was all just a play, for the audience at the time it was much more than that. The audience in the middle of a play honestly thought they had been led outside, and they lived their entire lives as if they had. But why make a play about leading people outside? Once your recognize the power plays have and realize that they are, in fact just plays, you no longer have to make them about leading people outside. You can make the most fantastical, creative, amazing plays ever created because you're free of trying to constantly get outside the theatre. You can make plays that are even better and more entertaining than whatever is actually outside the theatre. After all, why would you come to a theatre in the first place if not to be entertained?

I hope that clears things up.

2.2

Anytime friendo