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>> No.18405590 [View]
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18405590

>>18405305
All you need to know.

>> No.18205044 [View]
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18205044

>>18203805
Feudalism

>> No.18016222 [View]
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18016222

>feel drawn to multiple different religions
>can't commit to a single one because of this
>don't want to be "undecided"

any books to help with this feel?

>> No.14968463 [View]
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14968463

>>14968413
Racism doesn't exist, it's not a thing, it's a spook, a brainworm, a phantasm. It's neither here nor there and when something is called as such it signifies nothing.

As for hate I have none.

>> No.14955237 [View]
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14955237

Why are women and homosexualus/leftists so triggered by Evola?

>> No.14594877 [View]
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14594877

Evola

>> No.6452074 [View]
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6452074

>>6451847
New atheism being part of cultural marxism is about destroying religion

>> No.6056994 [View]
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6056994

a style that evokes the Victorian and Edwardian eras rather than the more traditional Middle Ages/Roman Empire/society of the Mahabharata/lost city of Atlantis. However, as the attentive reader will have gathered from my sarcasm, I consider all such objections to be as foolish as they are irrelevant. The only salient requirements for a radical-traditionalist style of dress are that it should (1) reverse the quintessentially politically-correct style of "studied slovenliness" described by Dalrymple; (2) make a clear demarcation between those who choose to adopt it and the wider, degenerate culture around them; (3) be practical, attainable and acceptable enough not to descend into an exercise in LARPing; (4) project a certain sense of seriousness, archaism and traditionalism. Pedantic imitation of a particular cultural or temporal style would not just be unnecessary here, but also positively harmful

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