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>> No.18733467 [View]
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18733467

>>18733422
>I do not agree with much modern criticism, in greatly preferring the Inferno to the two other parts of the Divine Commedia. Such preference belongs, I imagine, to our general Byronism of taste, and is like to be a transient feeling. The Purgatorio and Paradiso, especially the former, one would almost say, is even more excellent than it. It is a noble thing that Purgatorio, "Mountain of Purification;" an emblem of the noblest conception of that age. If sin is so fatal, and Hell is and must be so rigorous, awful, yet in Repentance too is man purified; Repentance is the grand Christian act. It is beautiful how Dante works it out. The tremolar dell' onde, that "trembling" of the ocean-waves, under the first pure gleam of morning, dawning afar on the wandering Two, is as the type of an altered mood. Hope has now dawned; never-dying Hope, if in company still with heavy sorrow. The obscure sojourn of demons and reprobate is underfoot; a soft breathing of penitence mounts higher and higher, to the Throne of Mercy itself. "Pray for me," the denizens of that Mount of Pain all say to him. "Tell my Giovanna to pray for me," my daughter Giovanna; "I think her mother loves me no more!" They toil painfully up by that winding steep, "bent down like corbels of a building," some of them,—crushed together so "for the sin of pride;" yet nevertheless in years, in ages and aeons, they shall have reached the top, which is heaven's gate, and by Mercy shall have been admitted in. The joy too of all, when one has prevailed; the whole Mountain shakes with joy, and a psalm of praise rises, when one soul has perfected repentance and got its sin and misery left behind! I call all this a noble embodiment of a true noble thought.

>> No.18690638 [View]
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18690638

>>18690305
>I do not agree with much modern criticism, in greatly preferring the Inferno to the two other parts of the Divine Commedia. Such preference belongs, I imagine, to our general Byronism of taste, and is like to be a transient feeling. The Purgatorio and Paradiso, especially the former, one would almost say, is even more excellent than it. It is a noble thing that Purgatorio, "Mountain of Purification;" an emblem of the noblest conception of that age. If sin is so fatal, and Hell is and must be so rigorous, awful, yet in Repentance too is man purified; Repentance is the grand Christian act. It is beautiful how Dante works it out. The tremolar dell' onde, that "trembling" of the ocean-waves, under the first pure gleam of morning, dawning afar on the wandering Two, is as the type of an altered mood. Hope has now dawned; never-dying Hope, if in company still with heavy sorrow. The obscure sojourn of demons and reprobate is underfoot; a soft breathing of penitence mounts higher and higher, to the Throne of Mercy itself. "Pray for me," the denizens of that Mount of Pain all say to him. "Tell my Giovanna to pray for me," my daughter Giovanna; "I think her mother loves me no more!" They toil painfully up by that winding steep, "bent down like corbels of a building," some of them,—crushed together so "for the sin of pride;" yet nevertheless in years, in ages and aeons, they shall have reached the top, which is heaven's gate, and by Mercy shall have been admitted in. The joy too of all, when one has prevailed; the whole Mountain shakes with joy, and a psalm of praise rises, when one soul has perfected repentance and got its sin and misery left behind! I call all this a noble embodiment of a true noble thought.

>> No.17763809 [View]
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17763809

>>17762700
Bump.

>I do not agree with much modern criticism, in greatly preferring the Inferno to the two other parts of the Divine Commedia. Such preference belongs, I imagine, to our general Byronism of taste, and is like to be a transient feeling. The Purgatorio and Paradiso, especially the former, one would almost say, is even more excellent than it. It is a noble thing that Purgatorio, "Mountain of Purification;" an emblem of the noblest conception of that age. If sin is so fatal, and Hell is and must be so rigorous, awful, yet in Repentance too is man purified; Repentance is the grand Christian act. It is beautiful how Dante works it out. The tremolar dell' onde, that "trembling" of the ocean-waves, under the first pure gleam of morning, dawning afar on the wandering Two, is as the type of an altered mood. Hope has now dawned; never-dying Hope, if in company still with heavy sorrow. The obscure sojourn of demons and reprobate is underfoot; a soft breathing of penitence mounts higher and higher, to the Throne of Mercy itself. "Pray for me," the denizens of that Mount of Pain all say to him. "Tell my Giovanna to pray for me," my daughter Giovanna; "I think her mother loves me no more!" They toil painfully up by that winding steep, "bent down like corbels of a building," some of them,—crushed together so "for the sin of pride;" yet nevertheless in years, in ages and aeons, they shall have reached the top, which is heaven's gate, and by Mercy shall have been admitted in. The joy too of all, when one has prevailed; the whole Mountain shakes with joy, and a psalm of praise rises, when one soul has perfected repentance and got its sin and misery left behind! I call all this a noble embodiment of a true noble thought.

>> No.17754232 [View]
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17754232

>>17753497
>I do not agree with much modern criticism, in greatly preferring the Inferno to the two other parts of the Divine Commedia. Such preference belongs, I imagine, to our general Byronism of taste, and is like to be a transient feeling. The Purgatorio and Paradiso, especially the former, one would almost say, is even more excellent than it. It is a noble thing that Purgatorio, "Mountain of Purification;" an emblem of the noblest conception of that age. If sin is so fatal, and Hell is and must be so rigorous, awful, yet in Repentance too is man purified; Repentance is the grand Christian act. It is beautiful how Dante works it out. The tremolar dell' onde, that "trembling" of the ocean-waves, under the first pure gleam of morning, dawning afar on the wandering Two, is as the type of an altered mood. Hope has now dawned; never-dying Hope, if in company still with heavy sorrow. The obscure sojourn of demons and reprobate is underfoot; a soft breathing of penitence mounts higher and higher, to the Throne of Mercy itself. "Pray for me," the denizens of that Mount of Pain all say to him. "Tell my Giovanna to pray for me," my daughter Giovanna; "I think her mother loves me no more!" They toil painfully up by that winding steep, "bent down like corbels of a building," some of them,—crushed together so "for the sin of pride;" yet nevertheless in years, in ages and aeons, they shall have reached the top, which is heaven's gate, and by Mercy shall have been admitted in. The joy too of all, when one has prevailed; the whole Mountain shakes with joy, and a psalm of praise rises, when one soul has perfected repentance and got its sin and misery left behind! I call all this a noble embodiment of a true noble thought.

>> No.17455481 [View]
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17455481

>>17455469
I prefer the original.

>> No.16903759 [View]
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16903759

>>16903426
Why did Carlyle like him so much?

>> No.16252857 [View]
File: 1.17 MB, 2400x3183, Carlyle painted by John Everett Millais.jpg [View same] [iqdb] [saucenao] [google]
16252857

>>16252842
CARLYLE 2021!

>> No.16225676 [View]
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16225676

Carlyle Thread.

>I do not agree with much modern criticism, in greatly preferring the Inferno to the two other parts of the Divine Commedia. Such preference belongs, I imagine, to our general Byronism of taste, and is like to be a transient feeling. The Purgatorio and Paradiso, especially the former, one would almost say, is even more excellent than it. It is a noble thing that Purgatorio, "Mountain of Purification;" an emblem of the noblest conception of that age. If sin is so fatal, and Hell is and must be so rigorous, awful, yet in Repentance too is man purified; Repentance is the grand Christian act. It is beautiful how Dante works it out. The tremolar dell' onde, that "trembling" of the ocean-waves, under the first pure gleam of morning, dawning afar on the wandering Two, is as the type of an altered mood. Hope has now dawned; never-dying Hope, if in company still with heavy sorrow. The obscure sojourn of demons and reprobate is underfoot; a soft breathing of penitence mounts higher and higher, to the Throne of Mercy itself. "Pray for me," the denizens of that Mount of Pain all say to him. "Tell my Giovanna to pray for me," my daughter Giovanna; "I think her mother loves me no more!" They toil painfully up by that winding steep, "bent down like corbels of a building," some of them,—crushed together so "for the sin of pride;" yet nevertheless in years, in ages and aeons, they shall have reached the top, which is heaven's gate, and by Mercy shall have been admitted in. The joy too of all, when one has prevailed; the whole Mountain shakes with joy, and a psalm of praise rises, when one soul has perfected repentance and got its sin and misery left behind! I call all this a noble embodiment of a true noble thought.

>> No.16149652 [View]
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16149652

Since those anons have stopped arguing, can we go back to comfy Carlyle thread?

>> No.16139797 [View]
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16139797

Is he the greatest British thinker since Hume?

>> No.16139446 [View]
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16139446

>>16137935
The History of the French Revolution by Thomas Carlyle.

>> No.16011672 [View]
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16011672

>To the Poet, as to every other, we say first of all, See! If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you.

Wtf Carlyle! I thought you were supposed to be inspiring.

>> No.16009978 [View]
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16009978

>>16006329
>>16006329
>I agree that Dickens had an ugly prose style.
Small minds.

And as this anon said>>16006616 there is nothing wrong with "It was a dark and stormy night" in its original and pre-cliched context.

>> No.15078574 [View]
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15078574

>both rejected modernity as artificial and degenerate for more or less the same reasons
>the everlasting yea vs the aristocratic affirmation
>both rejected system-based experiences and understandings of the world
>both had a focus on strong individualism and appreciation of "great-men"
>both emphasised the importance of moral self-direction specifically in relation to power
>had similar views on war
>both absolutist in action of belief

>"Carlyle, a man of strong words and attitudes, a rhetorician by necessity, who seems ever to be tormented by the desire of finding some kind of strong faith, and by his inability to do so (in this respect a true Romanticist!). To yearn for a strong faith is not the proof of a strong faith, but rather the reverse. if a man have a strong faith he can indulge in the luxury of scepticism; he is strong enough, firm enough, well-knit enough for such a luxury. Carlyle stupifies something in himself by means of the fortissimo of his reverence for men of a strong faith, and his rage over those who are less foolish: he is in sore need of noise. An attitude of constant and passionate dishonesty against himself – this is his proprium; by virtue of this he is and remains interesting."
- Nietzsche

>"Nietzsche was able to see Carlyle’s passionate dishonesty against himself, but never admitted to his own."

>> No.14922218 [View]
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14922218

>Such persons I can fearlessly invite to study "Meister." Across the disfigurement of a translation, they will not fail to discern indubitable traces of the greatest genius in our times. And the longer they study, they are likely to discern them the more distinctly. New charms will successively arise to view; and of the many apparent blemishes, while a few superficial ones may be confirmed, the greater and more important part will vanish, or even change from dark to bright. For, if I mistake not, it is with "Meister" as with every work of real and abiding excellence,—the first glance is the least favorable. A picture of Raphael, a Greek statue, a play of Sophocles or Shakspeare, appears insignificant to the unpractised eye; and not till after long and patient and intense examination, do we begin to descry the earnest features of that beauty, which has its foundation in the deepest nature of man, and will continue to be pleasing through all ages.

/comfy/

>> No.14858160 [View]
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14858160

>>14857654
What's Carlyle's translation of Wilhelm Meister like? An anon in another thread said it was very good but read similarly to Carlyle's own writing.

>> No.14729039 [DELETED]  [View]
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14729039

>>14728782
My only goal in life is to have a life like Carlyle, in respect to jobs at least.

Why is he so cold?

>> No.8364295 [View]
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8364295

I'm starting a Politics degree, /lit/.

What books should I read? Ideally, I'd like anything that gives me a good overview across the spectrum, although I don't mind anything that applies to a specific niche/ideology.

I bought Rousseau's Social Contract ideally. For some reason, my degree is called 'Political Science' - although I'm not sure what the 'Science' is supposed to imply. If anything, I'd say that Politics having become less philosophical, and more scientific, is a problem. Prior to this, I've read little else than fiction/philosophy.

>> No.6244278 [View]
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6244278

NRx thread

>> No.6218101 [View]
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6218101

So there's a contest to get the most ridiculous fake piece past an editor of a publication. Anyone have good ideas?
http://mitrailleuse.net/2015/03/02/introducing-the-mitrailleuses-trolling-contest/

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