[ 3 / biz / cgl / ck / diy / fa / ic / jp / lit / sci / vr / vt ] [ index / top / reports ] [ become a patron ] [ status ]
2023-11: Warosu is now out of extended maintenance.

/lit/ - Literature

Search:


View post   

>> No.11334151 [View]
File: 2.41 MB, 4400x692, whybressonsucks.png [View same] [iqdb] [saucenao] [google]
11334151

>>11334119
>bresson

everyone point and laugh at the cinephile

>> No.11321585 [View]
File: 2.41 MB, 4400x692, bressonsucks.png [View same] [iqdb] [saucenao] [google]
11321585

Proof that Bresson is a terrible director

>> No.11235168 [View]
File: 2.41 MB, 4400x692, bressonsucks.png [View same] [iqdb] [saucenao] [google]
11235168

For many critics and scholars — myself among them — D. W. Griffith’s Intolerance is the greatest film ever made. A century later we are as close to its subject as we are distant from its art. Political specifics, moral arguments, and movie styles may look different today, yet the only real difference is Griffith’s still-daring ingenuity, which calls for a more open-minded reception than in our simplistic habits we are accustomed to: It calls for an optimistic, united popular audience, which Griffith took for granted. When Intolerance premiered on September 5, 1916, its opening intertitles introduced silent-movie viewers to an extraordinary narrative device: “Our play is made up of four separate stories, laid in different periods of history, each with its own set of characters.” Employing a prologue and two acts, Griffith called it “a sun-play,” marked by florid melodramatics developed from Emersonian Transcendentalism, which film scholar Bill R. Scalia has described as “calling for an original American literature,” for “poets with the ability to ‘see’ past the material, apparent world to the world of eternal forms, which shaped nature in accordance with a divine moral imperative. Through this connection, man-as-poet would discover God in himself.

>> No.11214724 [View]
File: 2.41 MB, 4400x692, bressonsucks.png [View same] [iqdb] [saucenao] [google]
11214724

>>11214704
there is no explaining, you have to watch these films yourself until its self evident.

>> No.11208703 [View]
File: 2.41 MB, 4400x692, bressonsucks.png [View same] [iqdb] [saucenao] [google]
11208703

>>11208697
>bresson
Way to out yourself as a middle brow peasant.

>> No.11196222 [View]
File: 2.41 MB, 4400x692, 1524456090497.png [View same] [iqdb] [saucenao] [google]
11196222

No one has ever come close to Griffith which is why film isn't taken seriously.

Navigation
View posts[+24][+48][+96]