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>> No.6815542 [View]
File: 110 KB, 300x300, xwerk_cd_sample.jpg [View same] [iqdb] [saucenao] [google]
6815542

I imagine that Musicbox Zwerk as telling the linear story of someone’s (such as Yasu's) self and consciousness. The first album, -stillness-, conveys a sense of inner harmony, and beliefs as the background fabric while the titled songs impart her thoughts. As you progress through the first disc it begins in Yasu’s owns thoughts and feelings about his/er own self. Psy-chorus, s/he-end, l&d-circulation. In the mid-part of –stillness-, it hints to Yasu imagining the many possible worlds, as beginning thoughts within herself. 1,000-tours. This is when Beatrice realizes her dead end situation. Reflection-call, rainy-reports, paradigm-leap. For Goddess-gardena, I imagine the full controlling being of Yasu appearing and making some action or decision (Like when s/he ‘modifies’ the world).

-stillness- disc1 ends with a-symmetry, and なまえのないうた 弦楽奏 (A song with no strings before extravaganza), possibly conveying how Yasu’s being was tilted when her life hits this point to mix with other people. Such as differences between Shannon and Kanon, and their emotional situations.

-motion- disc2 is when I imagine Beatrice’s self-reflecting consciousness starts mingling with other people. For example, when out of her dead end tale, Meta-Beatrice pulls Battler up to the meta-plane. This creates Beatrice a new option within her reality.

>> No.6792309 [View]
File: 110 KB, 300x300, xwerk_cd_sample.jpg [View same] [iqdb] [saucenao] [google]
6792309

(C79) (同人音楽) [猫招き歌劇団] うみねこのなく頃に xaki作品集 xwerk
mp3 v0
three discs

http://www.megaupload.com/?d=NF05EUK7

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