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/ic/ - Artwork/Critique


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2706157 No.2706157 [Reply] [Original]

Whenever I attempt to draw from imagination, I almost always am never able to replicate what I learn from observational drawing. Does that mean I'm not doing something right even when I capture the figure correctly in terms of construction and gesture when figure drawing?

>> No.2706160

>>2706157
Figure out what you are struggling with most when you draw from imagination. Then, next time you do a study pay attention to the parts you tend to have trouble with.

>> No.2706167

someone post the link

you know which one i'm talking about

>> No.2706169

>>2706167
https://design.tutsplus.com/articles/why-is-it-so-hard-to-draw-from-imagination-heres-how-to-do-it--cms-22967

>> No.2706227

>>2706169
Good shit. Starts like a shit would, but gets good.

>> No.2706259
File: 370 KB, 653x3801, shrimping.png [View same] [iqdb] [saucenao] [google]
2706259

>> No.2706261
File: 3.43 MB, 600x6667, using references.png [View same] [iqdb] [saucenao] [google]
2706261

>> No.2706270

>>2706261
Id argue that for beginners that as long as your not tracing the reference that you still learn something from it. (basic anatomy and understanding of what poses are actually possible.)
If you just make up poses that dont make sense no amount of ref will make it look right.

>> No.2706271

>>2706259
>>2706270
Master art of shrimping first

>> No.2706276

>>2706270

Not really, if you keep drawing your piece will also adapt, as well as pose. And it will be also be to your liking because you will start with referencing in such way things that seem most important for you/to which you want to draw the largest amount of attention and care.

By the time you'll have hands, and be drawing torso in reference to those, you'd make sense of them working together or you'll immediately see perspective error/something wrong.

>> No.2706278

>>2706259
>that fucking font
FUCK ITS UGLY