/3/ - 3DCG

>>642028
I sense a lot of bitterness (and retardation) in your words.

>They couldn't do anything except the most simplest of things: fixate on one thing and become an "expert" at it.
They learned 3D literally by trial and error, without ANYONE to teach them. There's an interview with Baldessarini saying he spent months fiddling around to make a basic shape of a Christmas tree in the early 90s. These people deserve respect for that. Besides, what you describe is exactly what any artist does, or anyone trying to be professional for that matter. It is literally the essence of our society.

>They don't participate in the community
Because they don't have time? It's not like they're sitting at the computer working 10 to 12 hours each day. Fuck private life, right?

>they don't advance the technology
How would you advance technology unless you're actively working at the program developers? They are merely using these programs like everyone else. It is not their job.

>they don't share new techniques or ideas or methods
Some of them do. Some of them don't. Nobody is obliged to do so. Besides, it's not like they can teach you anything more than what's already out there. They're just good. But they're not gods or magicians..

>they do nothing to advance the art or the science of the work they have spent their life on
Except doing the majority of the work for creating pretty much all the games and movies you consumed in the last decades?

You just have some really skewed picture in your head of some wealthy self-centered elitist old asshole hoarding some kind of ominous magic in his endless greed, when it's the exact opposite. These people MADE the industry you're looking at. Without them, none of this would exist. If you really want to hate someone, hate the creative directors and writers. Filthy pieces of shit like Druckmann who abuse the medium for their slimy agendas. But don't hate the production artists under them.